‘We are there with our noses pressed up against the snow and rock and ice.’
Ben Tufnell – Tate Britain
‘When it is going well,’ Julian Cooper says of his craft, ‘the physical act of painting moves at the same pace as the thinking process … This is very satisfying but it does not always happen. Often it is a grinding struggle to get it right.’
Julian has grafted to take his place among the most accomplished of mountain painters. His approach is distinctly that of a climber. ‘You’re handling raw material,’ he has said in the past, ‘dealing with a vertical surface. A vertical crag is just like a huge abstract painting, processed by time.’
On Striding Edge, 2000 by Julian Cooper (b. 1947)
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Reading 'The White Goddess', Windermere, 1986 by Julian Cooper (b. 1947)
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Coniston Lake North, 1992 by Julian Cooper (b. 1947)
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Coniston Lake, South, 1992 by Julian Cooper (b. 1947)
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Southbound, 1986 by Julian Cooper (b. 1947)
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Coniston Old Man, South, 1992 by Julian Cooper (b. 1947)
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The Farolito, 1984 by Julian Cooper (b. 1947)
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Coniston Old Man, North, 1992 by Julian Cooper (b. 1947)
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Monte Rosa, Evening, 1993 by Julian Cooper (b. 1947)
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Wetherlam from Black Crag 1996 Original Painting by Julian Cooper (b. 1947)
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Riverbank 1976 by Julian Cooper (b. 1947)
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